by Brianna Unsworth
A few months ago you heard about Sam's experience dancing in Nikki's section of our piece at Dance in the Fells. Here's another one of Nikki's dancer's, Bri, telling her side of the experience. Enjoy! -Nicole.
As a play on the environment of which a performance was set,
the choreographers developed a sequence of interferences, or rather an implied
universal interruption. The choreographers known as Monkeyhouse, utilized
their roles as creative human beings to piece together individual moments in
time where they found connection to the earth. Much like the ever seizing flow
of natural disasters, they found themselves shifting the earth, or exchanging
motion with it. This interruption of movement in nature is what I found to
drive the creative performance at Dance in the Fells.
From the beautiful natural environment, equipped with
changing leaves, wild winds, silky water, bugs, and wildlife, to the
materialized, metallic, and inflated balloon fish the creators utilized the
most obvious forms to make this simple
opposition clear to viewers. The floating fish tempted to manipulate the
natural flow of the water’s ripples, while the lone dancer manipulated the
earthly water sisters. This interaction between human and nature occurred in stages
of the piece, building and building as time elapsed – only right in time for
the audience to be left making their own interpretations – to manipulate, or to
become one with the natural environment that encircled them.
As a dancer, or rather a water sister, I felt in tune with
my natural surroundings; feeling the wind down my spine, the spider crawl over
my legs, and the spritz of rain touching down on my face. Not only did I find the
creation of this piece interesting and ever-evolving, but it inspired me to
view the natural environment as a more prominent “being” in my life. Monkey
House was a blessing to work with not only as they allowed me to further my
dance career, but also in helping to develop a deeper understanding of
movement, nature, and my inner self.
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