ChoreoFest Revisited - Ryan P. Casey

With Luminarium Dance's ChoreoFest applications due next week, we thought we'd take a moment to check in with last year's choreographers and do a quick follow-up on what the last year has had in store for them.  Here's our dear friend Ryan P. Casey!

Photo Credit: Cynthia Griffith Clayton

N: Have you used the piece you created during ChoreoFest? In what way?

RPC: No; it was just for fun. But it was a chance to continue exploring our use of characters and incorporating different styles of dance.

N: What advice do you have for this year's participants?

RPC: Perhaps more so than usual, be willing to run with whatever ideas come to mind right away and be happy with them, whether you love them or not. There's not a lot of time to second guess and change things, of course, so give yourself permission to just roll with whatever your group is developing. "First thought, best thought," as Brenda Bufalino taught me!

N: What is your favorite memory from last year's festival?

RPC: I'm sure I'll never forget editing "Yakety Sax" at some ungodly hour of the night! Only at ChoreoFest!

N: What have you been up to in the last year?

RPC: We've been busy developing a new show, "Unbound," that we'll be touring beginning in October! It's a rhythmic romp through some of our favorite literature.

N: Where can people see you/your work these days? Any upcoming performances?

RPC: I'm hosting (and performing in) DanceNOW Boston at The Dance Complex on June 10; the next day, we're dancing in Harvard Square for Dance for World Community. Later this summer, on July 24, we're performing in Provincetown as part of Cape Dance Festival!

Check out Ryan's interview from last year here!  And don't forget to put ChoreoFest on your calendar for September 10th!

Winter Events!

by Aisha Cruse

The Holiday season is nearly upon us, and the new year is right around the corner. Take in some great dance shows that are Nutcracker alternatives, and look ahead to the new year of dance in Boston!

Thu, December 10 @ 6:30pm & 7:30pm
Sat, December 12 @ 2 pm
Through Sun, January 24
Silas Renier in Merce Cunningham's Changeling
Presented by ICA Boston
At the ICA Boston, MA
FREE with admission to the museum
The Black Mountain College exhibition at the ICA is bringing Merce Cunningham's early works to life. December is the kickoff for two months of performances by the Boston Conservatory students under the direction of former Cunningham dancer Silas Riener. From the ICA website: "Boston Conservatory students perform excerpts from early Cunningham dances including Dime A Dance, Springweather and People, Septet, Nocturnes, and Minutiae, accompanied by pianist Stephen Drury. For the December and January performances, the students will be joined by Riener, who will perform the recently reconstructed Cunningham solo Changeling, and joined by Drury performing music by Christian Wolff and John Cage."

Thurs, December 17 @ 7:30PM
FILAMENT : Luminarium 5-Year Retrospective
Presented by Luminarium Dance
At Oberon, Harvard Square, Cambridge
$15-$20
Luminarium turns 5 this year, and Monkeyhouse could not be more excited about it. Make sure you come out to see their one-night-only retrospective show, featuring 11 favorites selected by fans. If you missed out on past Luminarium shows and want to see the best of the best, go buy your tickets now! This is at Oberon, so audience must be 18+.

Fri & Sat, December 18 & 19 @ 8:00 pm
12 Dancers Dancing
Presented by Honey Blonder
At Dance Complex, Cambridge, MA
$20 Adults/ $15 Children and Senior
Thirteen Boston based dance companies celebrate the season! Featuring performances from Rainbow Tribe, Bside, Sydni Lockeby, Boston Community Dance Project, Embrace, Cambridge Dance Company, Brookline Academy of Dance, Contemporarily Out of Order, Alive Dance Collective, CreationDance, Forty Steps Dance, Steffani Bennett, and Monkeyhouse friends Ryan P. Casey and Dance'n Feet! This is also a charity event, so if you bring a new toy for the toy drive you'll get a dollar off your ticket!

Sat, January 23 @ 7:30pm
An evening of Jazz and Tap
Featuring The Tall Tribe and the Paul Arslanian Trio
The Dance Hall in Kittery, ME
$20 advance /$25 at the door
Monkeyhouse loves Ryan P Casey! Take the opportunity to get out of the city for a night and head up to Kittery Maine (full disclosure, I really like jazz music, and I think live music and tap is one of the best ways dancers can experiment with interactive accompaniment): "Join The Tall Tribe (tap dancers Gay Nardone, Ryan Casey, and Drika Overton) and The Paul Arslanian Trio with special guests for an evening jazz and tap, from classic repertory to ground-breaking original work. Infectious fun and positive energy!"

January
NACHMO!
Presented by Intimations Dance
At the Dance Complex in Cambridge MA
It's almost time for that kick in the choreographic pants, National Choreography Month Boston! All January long choreographers selected by Intimations Dance will be creating new work. Last year the final performance was in the first week of February, and there were classes, workshops, and events all month long in January. We don't have exact dates yet, but keep checking back at the link above. I can't wait!

Fri & Sat, February 12 & 13 @ 8 pm
DANCE! DANCE! DANCE! DANCE!
Featuring Daniel McCusker Dance Projects : Navarasa Dance Theater : Jean Appolon Expressions : Wendy Jehlen and Lacina Coulibaly
Presented by the ICA Boston
At the Institute for Contemporary Art Boston, MA
$15 ICA members + students / $30 nonmembers
Want to see 4 incredible local dance companies perform on the same evening? The ICA is fulfilling your wishes. Given Monkeyhouse's commitment to building and growing the Boston dance community I am unreasonably excited by this event and by the event description: "An exciting evening highlighting the diversity of dance in the Boston region ... featuring Daniel McCusker Dance Projects, Navarasa Dance Theater, Jean Appolon Expressions, and a duet by Wendy Jehlen and Lacina Coulibaly. Including a 15-minute performance by each company, DANCE! DANCE! DANCE! DANCE! will conclude with a discussion among the four choreographers in which they will discuss how different forms of dance of informed their own work."

ChoreoFest Interview: Ryan Casey!

by Nicole Harris

We're only 8 days away from ChoreoFest, the one and only 24-hour dance festival! Today we bring you the next installment of our ChoreoFest choreographer interviews, a chat with incredible tap dancer Ryan P. Casey!


Nicole Harris: What made you want to make the move from being a dancer to a choreographer?
Ryan Casey: I think it was the realization that I had something to say – that I, too, wanted to make something of my own and put it out there for others to see and hear. 

Nicole: What are you most nervous about regarding ChoreoFest?
Ryan: How we’re going to forge ahead when we’re really tired and hit the wall, so to speak. It’s hard to be creative when you’re exhausted!

Nicole: Have you participated in ChoreoFest before? If so, what is your favorite memory of that experience? What advice do you have for new ChoreoFest choreographers? Are there things you hope to do differently this time?
Ryan: This is my second time doing ChoreoFest, and I’m definitely keeping in mind all the lessons I learned from before (2013). My company and I had a lot of fun, but we struggled to agree on anything. Our theme was “wishes,” and we experimented with – and ultimately discarded – many different ideas before finally deciding on a wishing well. But that wasn’t until 1 a.m. – some companies were already done by then! I learned that I needed to be a stronger leader/director for my troupe and make executive decisions for us all. This year, we’re definitely going to decide on a concept much sooner so that we can spend more time on actual choreography rather than toying with potential ideas.

Nicole: Since this is a very controlled creative space (in terms of time and topic) where do you see yourself starting when you get in the space?
Ryan: I work best when I have a fairly concrete idea of what’s happening, so I have to know what the scenario is, or who the characters are, or what the music is, etc. From there, my thoughts can blossom around it but I need that initial foundation to build upon. I suspect that we’ll brainstorm some possibilities for our chosen theme and consider what will best serve us as percussive dancers, and then create a concept or character idea from there.

Nicole: In creating a new work, what in the relationship between you and your dancers? Do they participate in the creative process? If so, how?
Ryan: I always want my dancers to be part of the process. I typically come in with the concept and the music, and sometimes some or a lot of the choreography, but I always want input – on steps, spacing, anything – from whomever I’m working with. The creative process is inherently collaborative, so why not make it explicitly so? I hire people not just because they are great dancers, but because they are great thinkers – they can bring more ideas to the table, so to speak, and make for a richer experience. The more invested they are in the creation, the more invested they will be in the performance – the better the show will be.
Even though my company is called Ryan P. Casey & Dancers, that is not at all reflective of a hierarchy or a “me vs. them” scenario. Frankly, I never wanted my company to be named as such and have always been vaguely skeptical of similarly named troupes. It always sounds to me like “Ryan Casey & Some Other People” or “The Ryan Casey Show.” I remember reading an article in which Betsi Graves described how she came to name her company Urbanity Dance rather than Betsi Graves & Company. That still speaks volumes to me.

Nicole: Knowing that Karen Krolak will be on hand as "choreographic guru", what things do you hope she can help with in the overnight process?
Ryan: I think Karen will be great for those moments when I’m wondering, “What am I not thinking of right now?” I expect she’ll be able to offer ideas that will send me down an intellectual avenue I won’t have even thought of yet!

Nicole: Who are some of your favorite choreographers?
Ryan: I loved working for Michelle Dorrance and watching her creative process unfold in the studio. She influenced my own thinking so much – not just in terms of rhythm or choreography, but just in terms of movement. I also love anything Dana Foglia does – her unique combination of sensuality and musicality is hypnotic.

Nicole: Who are your mentors? How are you paying forward the things your mentor gave you?
Ryan: I owe a lot to my primary tap teachers, Thelma Goldberg and Kelly Kaleta. Thelma’s most powerful message to me was to “share the joy of dance with others.” I recently received an email from someone who had seen my company perform at Jacob’s Pillow last year and, when he was there again a few weeks ago, made a point to watch our performance on video and tell me that he was smiling the whole time. That was one of the best compliments I’ve ever received; I saw so clearly how true Thelma’s words are.
I consider Billy Siegenfeld to be a significant mentor, as well. He taught me what rhythmic clarity, the ultimate goal (I think) of any percussive dancer, really means. There’s not a day that goes by where I’m not thinking, actively or not, of his principles.
Aaron Tolson and Michelle Dorrance were both kind enough to hire me for their companies, and I learned just as much dancing alongside them as I did sitting on the sidelines observing them. Michelle especially made the proverbial lightbulb go off over my head about what tap choreography could be.

Nicole: Where can people learn more about you and your work?
Ryan: They can visit my website, www.ryanpcasey.com; follow me on Twitter or Instagram, where I’m @tapdude24; or “like” my company, Ryan P. Casey & Dancers, on Facebook!