NH: When you were a kid, what did you want to be when you grew up?
CM: At 5, a paleontologist, at 6 or so, a figure skater... at about 10 I came to my senses and realized I wanted to be a dancer.
NH: What was your first Monkeyhouse experience?
CM: Avec Nous, concert at Green Street Studios, Fall 2007
NH: When did you begin dancing? What is your dance/education background?
CM: I began dancing at age 4. I have a strong background in ballet, jazz, tap and modern- though today I am working mostly in modern.
NH: Who have you been performing with recently?
CM: Danny Swain Dance Company, Dunkel and Friends
NH: Where did you go to college?
CM: I went to Muhlenberg College and double majored in Dance and French.
NH: A lot of young dancers question whether they should study dance in college. Do you think you greatly benefited from choosing that path?
CM: I got a whole lot from my study of dance- from learning to improvise and developing my own style, to re-working my technique with a dance physical therapist, to choreographing my own pieces. I also got to study and perform a variety of styles with some excellent professors and choreographers. My college dance education made me a more well-rounded performer and choreographer by exposing me not just to new techniques, but to new ways of thinking and talking about dance.
NH: Who would you say has had the greatest influence on your dancing?
CM: An early influence was Donna Miceli, one of my very first teachers, Nailah Bellinger, also Karen Dearborn, Jennifer Kayle, and Charles Anderson from studies at Muhlenberg.
NH: What made you know that you wanted to dance professionally?
CM: I can't pinpoint the time when I first knew, but my moment of affirmation was when I found myself in a classical ballet studio in France, at the mercy of a ruthless former ballerina. I realized that if I'd gotten myself there on purpose, I just had to do this.
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